I’m probably going to own Saving Mr. Banks, the story-behind-the-story of Walt Disney’s making of the movie based on her story Mary Poppins.
Using the old but effective present-to-past flashback technique, the story of author P.L. Travers‘ (née Helen Lyndon Goff) childhood is projected into the story of her masterpiece. Disney had promised his family that he would make the story into a movie and doing so proved an adventure of persuasion to the point of sacrifice. But the film was made.
The interplay of the songwriting brothers Robert B. Sherman and Richard M. Sherman and Travers was very well portrayed, with their liberties with the story and the songs being written presented very tenuously, and withdrawn at the first whim of Travers’ objection. But by the end, Travers was delighting in the joy of the compositions and the fit into her story.
I don’t know how real the story of Travers’ childhood being superimposed into Mary Poppins is. I do care, but I care more about the power of redemption afforded by it.
In Saving Mr. Banks Travers’ father, Travers Goff, struggled as a worker at a bank and struggled worse with alcohol, slipping into depression and dying when she was still a girl in Australia. He was unhappy with seemingly everything except being her father. And she knew his love, but was tortured by his destruction. The character of Mr. Banks is seen as an obvious portrayal of her father and his pain in trying to be a professional banker is a key target of the “ministry” of Mary Poppins in the story.
The echo is loud and clear.
I recommend watching the movie; I intend to again and again.
A repeating pattern in my ministry and personal life is the echoes of past trauma that keep getting replayed and replayed. I believe it’s universal, though clearly some have a worse problem here than others.
I’ve sought for a reason that I (and others) do this. I believe it’s because I want to “get it right” this time; I want the story to have a happy ending. Of course it does not, at least in my memory, recalling the trauma or shame or pain of the past.
But Walt Disney pulls off a good ending for Travers. The scene where she sings along with Lets Go Fly A Kite is a view of real healing.
There is redemption. There is a different ending. And we can have it today.
Stories abound with endings like this; we love them because we need them. One I love is the story of Joseph in the book of Genesis. The analogous scene of redemption in that story happens after Joseph’s father, Jacob, has died and his brothers now fear for their lives because of the horrible way they treated Joseph, selling him into slavery years ago. But he says this and their is deep healing:
Genesis 50:20 You intended to harm me, but God intended it for good to accomplish what is now being done, the saving of many lives.
So for me, the challenge is to see good being accomplished in the evil intentions, words and deeds of people and even in circumstances I consider painful. That”s how to resolve traumatic echo. And it’s seen in God’s good purpose which is thankfully not thwarted by anything.